This section explores how perception is shaped in media, politics, and strategic environments. It covers journalism, cognitive warfare, storytelling, framing, and the manufacturing of consent. The focus is on how narratives are built, amplified, and contested, and how perception management influences decisions, legitimacy, and power in complex environments.
The United States has just restored the name Department of War. A single word. But if you follow my work, you know that language is never neutral, it's
How a rule designed to protect dialogue became a cloak for invisible power.
After crossing over into intelligence, I realized how easily journalists are played by sources, by ego, by the system itself.
He's right, you shouldn't. We see them everywhere, they make us laugh. We send them to friends, family, or post them online. But we rarely ask
A scandal that seems grotesque at first glance but uncovers a much deeper fracture in how power, perception, and narrative now operate.
I'm about to share words I wrote almost ten years ago. Back then, I was a young journalist in Israel and the West Bank. I wrote constantly (in
A quantum lens on timelines, memory, and the architecture of truth
On May 30, The New York Times published an article. Beneath its "factual" tone lies a narrative built on: selective emphasis, speculative framing, and emotional anchoring. This (long)
Months ago, I attended a high-profile event. Lots of important people, plenty of influence in the room. But one individual caught my eye: not because of their charisma, but because
You see too much and you know it. Perception is often misunderstood.
Language is the most powerful tool humans have ever created. It is also the most dangerous. From intelligence operations to corporate politics, from spiritual dogma to media warfare, words shape
After an introduction and my reflections on Soros' life and past, I want to introduce you to a central element of his philosophy - the theory of reflexivity. In
